EXHIBITIONS | 2 DECEMBER 2022 - 5 MARCH 2023 Every year, the National Gallery partners with organisations and audiences across the UK to ensure that everyone in Britain can engage with their national collection. The Masterpiece Tour 2021-2023 is a...

8 April - 21 May 2022 The human figure remains central to Curneen’s work; however, these are beings which transcend prosaic, corporeal constraint and conformity, whilst never fully escaping such concerns. They occupy a symbolic, liminal, precarious...

May 2021 - May 2022 Claire Curneen presents Baroque and Berserk in the 18th Century Gallery of the Walker Art Gallery in Liverpool. The gallery highlights some exceptional masterpieces, from Zoffany to Stubbs, Reynolds to Gainsborough, these...

14/11/20 - 02/01/21 Anima Mundi are delighted to launch ‘Beyond Ourselves’ a major mixed online exhibition featuring 39 international artists. ’Beyond Ourselves’ is an exhibition that is curated with artworks instead of words. Allowing individually...

From the November 2020 issueIn my mind, I’ve been turning over and over Claire Curneen’s series of sculptures based on the story of Daphne from Greek mythology. These flower- and branch-bedecked figures reprise the story of an attempted rape:...

Issue 97 "CLAIRE CURNEEN STARTS EACH of her sculptural ceramic works in the same way, with a small piece of clay. Squeezing it between her fingers, pushing and pressing it into the palm of her hand, she flattens it into a small disc. These discs...

Tending the FiresClaire Curneen’s sculptures are poignant reflections on the nature of humanity and our precarious place within it. Universal themes of loss, suffering and sacrifice underlie her intricate porcelain figures, their translucent and...

Claire Curneen’s award-winning new piece Tending the Fires, shown at Collect 2017, represents a distinct shift in her practice. Emma Crichton-Miller takes a closer look.

SUMMER 2016   VOLUME 33   P 144 Audrey Whitty selects Psyche, by Claire Curneen, from thecollection of the National Museum of Ireland

Ceramics: Art and Perception No. 102 2015 The UK Crafts Council CollectionArticle by Paul Bailey For full-time ceramics makers, the need to gaina national standing for their work has neverbeen more important. Added to this is thepossibility of work...

TO THIS I PUT MY NAME A palette of blue, black, white and gold are used to portray the convergence of art history and ceramics history in the androgynous, single standing, porcelain figures of Claire Curneen. Profile by Laura Gray

To coincide with St. David’s Cathedral, Festival of Music 2014, artist Claire Curneen presents five sculptures, in the North Quire Aisle of the Catherdral. The religious space has left an imprint on Curneen's work and over the years this has been a...